We’ve been eagerly anticipating the live-action adaptation of “Snow White and the Seven Dwarfs” since its announcement way back in 2016. However, the journey to its release has been nothing short of tumultuous. From the beginning, Rachel Zegler’s casting faced unfortunate racist backlash, a set fire caused major disruptions, and Zegler’s comments about the storyline sparked debates over traditional narratives. She questioned the need for Snow White to be saved by her prince, raising eyebrows among those opposed to more modern interpretations. Compounding the drama, there were whispers about on-set clashes between Zegler and Gal Gadot, largely due to their different stances on political issues like the Israel-Palestine conflict. Among all these controversies, the one that resulted in a tangible change in the film was Peter Dinklage’s critique of how dwarfism was portrayed. In response, Disney opted to use CGI creations instead of the traditional dwarfs. Fast forward nearly a decade, and the movie is finally here, but the reception is icy. The outcry has been so intense that Disney and Variety are facing accusations of diverting blame away from the film’s perceived shortcomings, reportedly at the young lead actress’s expense. The backlash even led to another live-action Disney remake being indefinitely put on hold.
Despite these challenges, the film does have its moments. Rachel Zegler shines as a leading lady, infusing her role with warmth and charisma that make her version of the princess endearing. Yet, even with her admirable performance, there’s something missing in making her portrayal instantly recognizable. Although no one anticipated a mimicry of the original’s high-pitched voice, her new and undeniably catchy song “Waiting On A Wish” steers more towards a powerful Moana-like anthem, which begs the question: Is it necessary for every princess to have a battle cry? Whatever happened to the gentle grace that traditionally defined these characters? Further detracting from the experience are the CGI dwarfs, whose lack of spirit and charm starkly contrasts with the lively originals. They, like Gal Gadot’s Evil Queen, fall flat, making the remake feel ironically lifeless. Ultimately, it leaves an impression reminiscent of a hollow echo, echoing the void left in place of vibrant animation.